"We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations."

Anais Nin (via cabaretfurs)

(Source: balidomalido, via englishmajorinrepair)

Because allowing Jane to die was a tactical maneuver. Telling Jesse of his hand in her death gave Walt a sick pleasure. That was pure Heisenberg.

(Source: imanah, via fantasticpleonastic)

"When he comes back, I think he’s coming back to set things right financially for his family. And, uh, after that he just wants to wipe out Uncle Jack and his gang, and he realizes in the hour, in this final hour, that Jesse’s still alive, and he wants to wipe out Jesse, too. But, uh, in other wonderful western terms, it’s a bit like the end of The Searchers. All throughout The Searchers John Wayne is chasing after Natalie Woods character and she’s been taken by the Comanches, and he keeps saying, “When I find her, I’m gonna kill her.” and then at that last minute when he sees her… he sweeps her up in his arms and he… and he says, “Let’s go home.”"

vince gilligan literally ripping my heart out through my chest (via patheticjunkies)

deadpaint:

Constantin Meunier, Ophelia

deadpaint:

Constantin Meunier, Ophelia

(Source: dahelena, via englishmajorinrepair)

huuuuughdancy:

So the mark of Cain is a thing we should talk about

(via the-hiatus-is-on)

"Dean, what have you done?" - Cas (9x18)

I didn’t raise your ass from perdition for this, fool.

(Source: camacaileon, via violue)

dumplingdean:

lmao. can we talk about this holy wallpaper tho. 


Haaaa!!!! Cas’ Heaven lock screen wallpaper is subtly ridiculous.

dumplingdean:

lmao. can we talk about this holy wallpaper tho. 

Haaaa!!!! Cas’ Heaven lock screen wallpaper is subtly ridiculous.

(via violue)